#invalidates their feelings
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rapidhighway · 4 months ago
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like, I feel like I'm being a bit inconsiderate??? But also I just do not have the patience... It's been going on for so freaking long and I just cannot stand it and I would like to have my own feelings about it considered ughhh come onnnn
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rafeandonlyrafe · 18 days ago
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well 🧍‍♀️ as a reminder this blog is NOT a safe space for trump supporters but it IS a safe place for women, queers, trans ppl, people of color, undocumented people, and any marginalized group.
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mixmangosmangoverse · 11 months ago
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If you ever needed to know the extent of how the I/P conflict is fandomized, there is a popular post going around with a Sailor moon sticker saying Free Palestine and all the comments are talking about how it's their aesthetic and they totally need to buy it
Because this doesn't matter to them, it's just the cool hip and trendy thing
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buggachat · 1 year ago
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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khaopybara · 1 month ago
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oh no, p'jojo said kantbison are a lovers to enemies story. kantbison are doomed.
firstkhao characters whenever they have the slight attempt of animosity between the two of them:
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bixels · 5 months ago
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I'm not getting into The Giving Tree discourse...
#personal#delete later#idk i just saw a post of the “alternate ending” comic on my dash and everyone praising it as an improvement and “fixing” the original#which i kinda resent#while tulli and i was taking my nephew to a book store we walked around the kids section and found the giving tree and we read through it#and i was so stricken by how profoundly sad it is. it's not a happy story#in the end both versions tell the exact same lesson. but one flat out tells you and the other makes you sit with a pit in your stomach#and work to find the answer#i dunno it's kids literature but kids literature is important. i don't wanna discredit anyone's bad memories with the book but also i think#sometimes it's ok to make kids a bit sad and upset with fiction.#tweet that goes “what if romeo and juliet didn't kill themselves and explained to the audience that family feuds are bad”#idk you can't seriously read the original book as an adult and say it's glorifying self-martyrdom#when the final drawing of the book is of an old tired man sitting on arotting stump with his hat fallen to the ground#again i don't wanna invalidate people's feelings if they enjoy the alt version i think it's really nice too. but the original has its#purpose too. imagine if at the end of the lorax they show that the boy did it and replanted the world happy ending#wait they did that in the movie shit#i dunno i just love somber children's literature. tulli and i are talking about moomin right now and how the series ends with the moomin#family just leaving. and nobody gets to say goodbye to them. their friends have to find ways to live with the emptiness they've left behin
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baelonthebrave · 5 months ago
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‘reform got as many MPs as the greens why are they getting so much coverage’ bc they were the third most voted-for party after labour and the conservatives! the only thing keeping reform out in the cold right now is the first past the post system. reform candidates are racist, bigoted scum, yes, but many of their VOTERS tend to be disenfranchised working class people who have been convinced that immigration and identity politics are the root source of their problems. these are people who have been consistently let down and shut out since long before david cameron or even tony blair set foot in downing street. generations of poverty and pain and systemic inequality compounding and being capitalised on by scum like farage and rupert murdoch’s press who use some carefully chosen words to stoke fear of the ‘other’ so they can feed their egos and their wallets. britain’s problem is a CLASS problem at its core and the longer the left keeps ignoring that fact, the more we push the people most at risk towards extremist bullshit like this. reform UK is akin to a cult that preys on the vulnerable and the isolated. the solution is to make these people less vulnerable and less isolated.
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mythalism · 18 days ago
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peace and love to you all but honestly i am baffled where people are getting the idea that solas only loves lavellan bc she reminds him of mythal. is this coming from the rumor that trick said something along these lines years ago?? which i have never actually seen proof of??? and even if trick said that who cares? maybe she did remind him at first but she is clearly a completely different person? you can literally see with your own two eyeballs the drastic difference in the way he looks at and talks to mythal vs. lavellan in that final scene. when mythal shows up he looks like a fucking kicked puppy. he literaly crumples over and can barely meet her gaze. with lavellan he looks her right in the eye and stands tall. their dynamics are clearly opposites, not the same. he stood his ground on who he was and set boundaries with lavellan in a way he was never capable of with mythal. he literally kills flemythal LMFAO. mythal forced him to be fen'harel while lavellan allows him to be solas. like we have to know his toxic relationship to mythal to understand the way he behaved towards lavellan. im really struggling to see how people feel this cheapens the relationship rather than adds some insane and fascinating depth. if anything, solas loves lavellan in spite of mythal and what she did to him
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piss-stained-jorts · 1 year ago
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saw some clown on here whining about other people not liking kissing and reducing it to the gross parts and that it’s indicative of a society that fears flesh (which yes it does but that’s not how to go about making the point) and blah blah fucking blah
anyway instead of being a salty bitch and getting into an internet argument with some stranger I’m gonna be a Big Adult and use my rage and spite to remind all of you that
hating kissing is okay, you’re not weird or broken or a prude,
whether you’re asexual or allosexual it’s fine if you despise swapping spit with another human being, it doesn’t mean you love them any less, and you’re FINE. love is expressed in different ways. humans celebrate each other differently, love comes in different forms, it’s fine if you only want to kiss people you’re close to or not at all or literally anything in-between, and shaming people for hating an act of intimacy is fucked up. show love how you want. enjoy the company of others how you want. you don’t have to see kissing as anything more than the gross parts, and “reducing” it to that or whatever is just as okay as romanticizing it as something more. it’s just some ritual humans made up, and we’re allowed to feel literally any fucking way in the world about it.
live your life. be free. 
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st-a-y · 11 days ago
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Feeling like you're too much is honestly one of the worst feelings to possibly exist. It just feels like you need to stop being yourself and existing all together. It's like you crawl out of your own skin and laugh in disgust at what remains, it's pathetic. And so saddening.
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trappedinafantasy37 · 23 days ago
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Since Minthara presents an exterior shell made of steel, and she's sometimes mean, and is an absolute badass in battle, she is often treated and perceived as someone who feels no emotions. And this often occurs to individuals who do put on such a tough exterior. It also does not help that many people perceive evil characters as incapable of doing or feeling anything other than evil. That love and evil are innately incompatible.
But Minthara is not emotionless, she does feel things. Sadness, grief, fear, loneliness, anger, anxiety, paranoia, vengeance, love. She can laugh, she can tell jokes, she can cry, she can smile, and she does get upset at things. If anything, she is emotionally repressed and emotionally guarded and the times where she does really express her more negative and vulnerable emotions is when it becomes too much to hold back and it comes out a little over the top. We have to remember she comes from a society in which such outward emotional expression would be rewarded with social punishment, religious scorn, or even death. So she really doesn't have the healthiest mechanisms to express her emotions.
She hides what she feels all the time as a means of keeping herself safe from punishment. She keeps it to herself cause she does not want you to see her as weak, as she would have been in the past. And she certainly does not want you or anyone else to punish her for it either. She hides behind little pet names and even using words from languages she knows you don't understand as that is the only way she feels safe being vulnerable with you. In her past, her love was rewarded with new wounds and new scars. She is terrified to open up to you, fearing that you will hurt her because she loves you. That her love for you won't actually be enough to stop you from hurting her. And she will only ever admit she loves you in contexts that have a high risk of death because there's really not much for her to lose at that point so she may as well tell you.
She also has a habit of intellectualizing what she feels and experiences so that they appear as "rational" and "logical" rather than emotional and to distance herself from her emotions. She says it takes a sharp mind to have sympathy for someone who suffers unnecessarily. She is trying to make it appear that emotions like sympathy is a matter of the mind, not the heart. That it is a mark of intelligence, because otherwise it would be the mark of weakness.
She blames herself for her own torments, like she deserved the awful things that happened to her. She frames the situation like she is more at fault and more deserving of blame, than the people who hurt her. It is the only way she can find any reason in what happened to her and any reason in her tormentors actions. That she did something wrong and induced someone's wrath upon her, rather than acknowledging that the person who hurt her is just a bad person.
She deserved what Ketheric and Orin did to her because she was "weak, passive, proud". That her emotional state had blinded her from the trap that was set, giving Ketheric and Orin ample opportunity to attack her. That if she hadn't felt those exact emotions, then it wouldn't have happened. She could have seen the trap coming, or she could have fought back.
Or if you attempt to tell her that her childhood was rough and her mother abused her, she immediately deflects by saying, "it could have been worse" and therefore, what she did actually experience wasn't really that bad. And yeah, sure, maybe she needed certain lessons given that she lived in a cruel and dangerous society like Menzoberranzan where she had to be prepared for violence at all times. But trauma is not born of love, it is born of fear, of pain, of agony, and her mother still tried to kill her. Regardless of her mother's intent, it was the first broken bond of trust and it left a mark on Minthara. Where she began to believe that her mother would torment her for torments sake, and she had doubts on whether or not her mother actually loved her.
When you encounter the first Orin imposter, it's pretty damn obvious she is terrified. And you kinda gotta squeeze it out of her to admit that she's afraid. Where it's "I'm afraid of Orin because she is capable of this, this, and this, and you should be too" rather than "I am afraid of Orin because she hurt me." And she begs you, BEGS, to keep her safe because she knows her fear makes her vulnerable to Orin.
She doesn't even truly acknowledge that she wasn't at fault for what Orin did to her until Orin is dead. She doesn't start putting the blame on Orin until Orin is dead. She doesn't go through the emotional process of sympathizing with herself until Orin is dead. And she doesn't admit that she undoubtedly has trauma, until Orin is dead. She gets so wrapped up, and so lost in her own fear and paranoia that she never has the room to properly process the things that happen to her. That her primary concern right now is keeping you, the others, and herself safe and her emotions can wait because wallowing in them will only make her weak. Only does the distance of death give her the room to start healing. Only problem is that there have always been threats and they never end, they never stop. So it is rare for Minthara to ever have a moment of peace and safety to work through what she feels and they just get backed up. Ignoring your problems does not make them go away.
So you wanna know what will happen when an embrace Durge betrays her? She will fall to her death, a knife in her belly, blaming herself for your betrayal. All her worst fears have come to pass and you were indeed a lover who hurt her because she loved you, and that she was a fool to ever trust you at all. That if she didn't love you, maybe you wouldn't have hurt her. She doesn't understand your reasoning, she can't make sense of it, she doesn't know why you'd betray her, so it must have been her fault for thinking you'd be different. That if she hadn't been so loyal, so devoted, that she could have been spared. That her belief that you would rule together is what damned her. She will die blaming herself for her own murder before she ever gets a chance to start blaming you.
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mechacringekitty · 1 year ago
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shoutout to people who didn't always know actually. shoutout to those that didn't have dysphoria since childhood or know something was different about them or act different or be noticeably queer. i can't be the only one and i love you
i love you <3
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transmascutena · 9 months ago
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there are several different translations of rgu and sometimes they make sentences have completely different meanings between them and it drives me a little bit crazy
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like this moment in the first episode.. these things are both accurate insights into utena's character and motivations but they're also completely different from each other. idk which is more accurate to the original japanese, maybe it's a sentence that can mean both depending on context or something?
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yourhighness6 · 10 months ago
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Broke: Saying the only reason Mai acted against Azula in the boiling rock was because of Zuko but that's okay
Woke: Saying that Mai was probably not the biggest fan of Azula in the first place because of her treatment of both herself and Ty Lee, but demonizing her for being selfish and not caring/ understanding Zuko's decision to leave the FN and join the Gaang
Bespoke: Realizing that although Mai's character and her relationship with Zuko was flawed, she genuinely cared about him and Ty Lee and she still has more of her journey to complete without being an accessory to Zuko's story
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thetardigrape · 1 year ago
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HEY.
Feel however you want to feel about the OFMD S2 finale but DO NOT make claims about a "straight white man" ruining the show. The writers room was mostly queer POC. Don't erase their skill, hard work, and representative voices just because you're upset. Show some respect.
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iwritenarrativesandstuff · 5 months ago
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See, I think Charles’ annoyance and frustration with the Cat King really was just pure protectiveness and not any kind of jealousy - it’s understandable, because Edwin is not telling him what happened even though something clearly did, which is not typical for them. Edwin doesn’t usually hide things like this! Of course he’s worried!
Charles’ reaction to Monty, on the other hand, is difficult to explain in a way that isn’t jealousy. You could say he’s being protective again, but Charles shows no sign of distrust in Monty, and had no idea of who Monty was or that he might betray them - he was actually very chill with him, except in a select few specific scenes. You could say he just doesn’t like him because he got brushed off during their first meeting, but not only does that not seem like Charles at all, it also doesn’t make sense, since, again, in most instances, Charles is genuinely friendly and is happy when Monty compliments him and seems to have come around to liking him (it completely flies over his head that this is a petty jab at Edwin on Monty’s part but oh well hahaha). You could say it changes up their status quo a bit and that bothers Charles. I do think this bothers him a bit, but I think, unlike Edwin, Charles’ fear and frustration here is directed more at situations (the Cat King whisking him away for several hours, as an example) than others. He’s sociable and likes being able to talk to new people. There’s absolutely no way he’d begrudge Edwin doing the same - and he doesn’t… with Niko. Edwin and Niko hit it off and become very close and that never bothers Charles at all. He’s incredibly endeared to her, just like the rest, and for the most part, he’s chill with Monty too, and smiles pretty knowingly when Edwin confesses to him having awakened some feelings. The only exceptions, where he shows definite annoyance, are when Monty first shows up and gets really in Edwin’s personal space to show him the astrology chart he made, and when Edwin is so sucked into the book Monty gave him that he doesn’t hear that Charles is talking to him, to which he annoyedly says that they seem to have been “spending a lot of time together”.
You could say he’s unused to having anyone get in Edwin’s personal space like that, but, again, Niko. She’s very tactile with him and he doesn’t seem to mind all that much; they spend time together watching things. If it was just someone getting close with Edwin in general, not only would that be weirdly possessive for the character, but it would also mean he would show discomfort with anyone getting close, I think. Does Charles see Monty as more of a potential threat than Niko, seeing as he knows her and her personality and doesn’t know Monty? Well, maybe, but again, Charles shows no sign of distrusting Monty at all.
Monty is a boy. Okay. So something about seeing Edwin so close to a boy that is not him, getting lost in thought over something this boy gave him, really rubs Charles the wrong way. Charles appears to catch on just as quickly as anyone else that there is something (or it looks like something) between Edwin and Monty. He is not surprised when Edwin comes out to him in episode 6, and in fact, seems to have just been waiting for him to verbalize it. He smiles and is not bothered at all by Edwin showing (what he thinks is) a romantic interest in Monty - he just doesn’t like it when Monty clearly shows a romantic interest in Edwin. Um. Well. Well.
Charles is jealous. I really don’t know what else to say.
Look, when I first watched this show, I actually didn’t want them to end up together romantically - I love the idea of one having fallen in love with another who does not reciprocate and the two of them still loving each other just as much. That Edwin’s confession made them closer instead of making things awkward is such a beautiful outcome to this build up and I absolutely love it. However. On my two rewatches, I caught a lot more little details, and I think it would be very strange if the show did not follow up on this. That, plus the deliberate quality of these “jealousy” moments where the camera focuses on him, Charles’ Orpheus coding throughout the show, the fact that Edwin’s arc was far more about realizing his feelings for Charles specifically than just coming to terms with his sexuality, and that even the actors admit that Charles’ response to the confession kind of left things open, it really seems to me like the path leads to a romantic endgame for them, or at the very least, that this possibility will be explored in more depth.
**This is just my reading of it. Please do not use this post as a gotcha for anyone who loves them as a platonic duo or people who really love Crystal and Charles together (because let’s face it, they’re super cute too). I’m just doing my rambles. As per usual.
#listen this got really long and I’m sorry but I wanted to be sure I covered all my bases because#I flat out hate the old argument of ‘it (romance) is the only possible explanation!’ with regards to strong bonds#because it so often invalidates strong platonic expressions of love#but… *gestures above*#they’re going to need to address this at some point I think#I really hope though that if the relationship becomes more romantic#that this does not happen in season 2 but in season 3 or something#make it a good build and emphasize the importance of their existing platonic bond#I want their bond to continue to change and grow closer via their friendship first before evolving into romantic tension :)#(also I have faith in these writers but I’ll always be worried about what happens to Crystal with all this. pls don’t cast her aside…)#the smart thing would be to have Crystal have more of the main plot action and Charles more of the feelings arc#for season 2. that’s what I’m hoping#not just any romance or jealousy for Charles but also feelings around his family and dad and his wants and fears and all that#storyrambles#this got away from me again haha#should I use my analysis tag? does this count??? …I’m using it. ->#call me ace detective the way I am ace. and also a detective.#dead boy detectives#I also love the idea of a canon gay couple in an overall queer narrative because that’s beautiful#please I want it to happen#charles rowland#edwin payne#payneland#dbda meta#dbda spoilers
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